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By analogy with the exhibition “Dépression à Dortmund” , a few years ago, 4 cinemas were made according to Warsprong’s principle for “ Eine schwierige Sache”* – the new exhibition by Jos de Gruyter & Harald Thys. These cinemas are made entirely of wood and glued with Superglue. They are each 34 centimetres high, 32 centimetres wide and 30 centimetres deep. The cinema halls were each given a different colour: poison green, lilac, silver and orange. Each cinema hall holds 19 spectators. 19 poison green spectators, 19 lilac spectators, 19 silver spectators and 19 orange spectators. A total of 76 spectators. The spectators are also made of wood. The mechanism of “Eine schwierige Sache” runs like a carousel. In the 4 cinema halls, 4 films by both artists are shown. While one of the films plays for 19 spectators, the 57 other spectators watch interludes. These interludes show life in the animal kingdom, ranging from termites to elephants. For example, when a film by the 2 artists plays in...More
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Press Release
By analogy with the exhibition “Dépression à Dortmund” , a few years ago, 4 cinemas were made according to Warsprong’s principle for “ Eine schwierige Sache”* – the new exhibition by Jos de Gruyter & Harald Thys. These cinemas are made entirely of wood and glued with Superglue. They are each 34 centimetres high, 32 centimetres wide and 30 centimetres deep. The cinema halls were each given a different colour: poison green, lilac, silver and orange. Each cinema hall holds 19 spectators. 19 poison green spectators, 19 lilac spectators, 19 silver spectators and 19 orange spectators. A total of 76 spectators. The spectators are also made of wood. The mechanism of “Eine schwierige Sache” runs like a carousel. In the 4 cinema halls, 4 films by both artists are shown. While one of the films plays for 19 spectators, the 57 other spectators watch interludes. These interludes show life in the animal kingdom, ranging from termites to elephants. For example, when a film by the 2 artists plays in...More
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