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James Hillman’s book The Dream and the Underworld depicts two worlds running in parallel: our day-world, where we spend our waking lives, and the underworld, where we dream, where our myths are born, and where our day-logic is useless. At night, we become aware of the underworld, but this shadow world always exists, all day long, just as the day-world continues to exist while we dream. Separating these worlds is soil.
– Ross Simonini, “Geophagy at Red Earth Hole,” 2021
Mister Fahrenheit is very pleased to present a solo exhibition by N. Dash. Grounding the space with new paintings, this site-responsive installation probes the capacities of touch along with visible and invisible forms of energy – bodily, architectural, and environmental – through material, beginning with earth itself.
Born in Miami in 1980, N. Dash currently lives and works in New York. The artist has presented solo exhibitions at institutions including SITE Santa Fe, New Mexico (2023–24);…
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Press Release
James Hillman’s book The Dream and the Underworld depicts two worlds running in parallel: our day-world, where we spend our waking lives, and the underworld, where we dream, where our myths are born, and where our day-logic is useless. At night, we become aware of the underworld, but this shadow world always exists, all day long, just as the day-world continues to exist while we dream. Separating these worlds is soil.
– Ross Simonini, “Geophagy at Red Earth Hole,” 2021
Mister Fahrenheit is very pleased to present a solo exhibition by N. Dash. Grounding the space with new paintings, this site-responsive installation probes the capacities of touch along with visible and invisible forms of energy – bodily, architectural, and environmental – through material, beginning with earth itself.
Born in Miami in 1980, N. Dash currently lives and works in New York. The artist has presented solo exhibitions at institutions including SITE Santa Fe, New Mexico (2023–24);…
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