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The exhibition “Vanitous Spectre” at the Iron House of Nymphenburg Palace brings together works by artists Georg Dahled and Sofiia Yesakova. On view are new productions by Dahled created specifically for the exhibition, as well as both recent and earlier works by Yesakova. At the centre of the show is an artistic engagement with spatial structures, placements, and their consciously orchestrated arrangements. With distinct approaches, the two artists create a finely woven network of relations within the light-filled glass architecture of the Iron House. These relationships reference both the site of the exhibition—Nymphenburg Palace with its multilayered history—and overarching themes such as illusion, threat, and tragedy.
The works integrate sensitively with the building’s unique architecture: originally built in 1807 as a greenhouse for King Maximilian I Joseph’s exotic plants, it was destroyed by fire in 1867 and subsequently rebuilt by Carl Mühlthaler as a structure of...More
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Press Release
The exhibition “Vanitous Spectre” at the Iron House of Nymphenburg Palace brings together works by artists Georg Dahled and Sofiia Yesakova. On view are new productions by Dahled created specifically for the exhibition, as well as both recent and earlier works by Yesakova. At the centre of the show is an artistic engagement with spatial structures, placements, and their consciously orchestrated arrangements. With distinct approaches, the two artists create a finely woven network of relations within the light-filled glass architecture of the Iron House. These relationships reference both the site of the exhibition—Nymphenburg Palace with its multilayered history—and overarching themes such as illusion, threat, and tragedy.
The works integrate sensitively with the building’s unique architecture: originally built in 1807 as a greenhouse for King Maximilian I Joseph’s exotic plants, it was destroyed by fire in 1867 and subsequently rebuilt by Carl Mühlthaler as a structure of...More
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