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The first impact is the sound of machinery, slightly tamed by the big earmuffs you were instructed to wear. You hear the ceaseless hum of a shredder, a bell spinning occasionally, the noise spreading and twirling in the room. It’s not an unfamiliar sight. It could be the noise of any engine room, any machinery – any place that makes up for the normality of overproduction the world depends on. It’s almost like a mantra: cold, close, and yet afar. How tolerable are the places that make up for normality? And where does tolerance end?
One of the sounds comes from Shredder3XL (2025), where two star rollers spin toward each other in the center of an almost 4-meter-tall LED wall. Designed for tillage, a functional element of bounty, the rollers point at a self-devouring plane, claiming the central space of a huge apparatus where one would expect an image to erupt. There is no image beneath the sound, nevertheless – nothing beyond the frame failing to...More
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Press Release
The first impact is the sound of machinery, slightly tamed by the big earmuffs you were instructed to wear. You hear the ceaseless hum of a shredder, a bell spinning occasionally, the noise spreading and twirling in the room. It’s not an unfamiliar sight. It could be the noise of any engine room, any machinery – any place that makes up for the normality of overproduction the world depends on. It’s almost like a mantra: cold, close, and yet afar. How tolerable are the places that make up for normality? And where does tolerance end?
One of the sounds comes from Shredder3XL (2025), where two star rollers spin toward each other in the center of an almost 4-meter-tall LED wall. Designed for tillage, a functional element of bounty, the rollers point at a self-devouring plane, claiming the central space of a huge apparatus where one would expect an image to erupt. There is no image beneath the sound, nevertheless – nothing beyond the frame failing to...More
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