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Parallel Oaxaca is proud to present Patricia Belli’s first solo exhibition in Mexico.
Ossuary by Patricia Belli presents two new sculptures produced by the Nicaraguan sculptor in collaboration with Parallel Oaxaca that comment on the disturbing familiarity of environmental and historical disasters, the effects of climate change, of wars and the corporality of waste. The sculptures are constructed from found materials: bones, wood, plastics and used clothing that, when assambled together, mold characters as post-organic entities in a process of dis-identification, re-configuring themselves from fragmented/dislocated bodies, organic and industrial waste of our time.
The sculptures in Ossuary evoke a multiplicity of meanings about the idea of death as a confluence that subsists beyond pain, sadness and rage; as a presence that persists.
Patricia Belli reconnects us with collective memories about death from legends and questions our fragility connected to the materiality of a collapsed…
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Press Release
Parallel Oaxaca is proud to present Patricia Belli’s first solo exhibition in Mexico.
Ossuary by Patricia Belli presents two new sculptures produced by the Nicaraguan sculptor in collaboration with Parallel Oaxaca that comment on the disturbing familiarity of environmental and historical disasters, the effects of climate change, of wars and the corporality of waste. The sculptures are constructed from found materials: bones, wood, plastics and used clothing that, when assambled together, mold characters as post-organic entities in a process of dis-identification, re-configuring themselves from fragmented/dislocated bodies, organic and industrial waste of our time.
The sculptures in Ossuary evoke a multiplicity of meanings about the idea of death as a confluence that subsists beyond pain, sadness and rage; as a presence that persists.
Patricia Belli reconnects us with collective memories about death from legends and questions our fragility connected to the materiality of a collapsed…
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