7:77
Passerelle Centre d'art contemporain•Jun 20, 2024 — Sep 14, 2024
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Han Bing (1986, China) is presenting “7:77”, her first personal exhibition to be held at a European institution, at Passerelle Centre d’Art Contemporain. A graduate of CAFA in Beijing – China’s central Academy of Fine Arts – and of Parsons School of Design in New York, Han Bing has studied a very diverse range of references and influences, enabling her to develop multicultural sensibility and an enhanced vision of the world.
Han Bing's painting is intimately linked to the abundance of images available in the public space. The artist sometimes captures elements from posters mentally and sometimes photographs an advertisement with her phone. From all around her she picks out images which we no longer see because they are in front of us all the time. Back in her studio, she assembles her discoveries very freely over the canvas. Her approach echoes those of the new realists of the 1960s, among them Jacques Villeglé and Raymond Hains. Villeglé took ripped and loose posters from...More
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7:77
Passerelle Centre d'art contemporain•Jun 20, 2024 — Sep 14, 2024
Press Release
Han Bing (1986, China) is presenting “7:77”, her first personal exhibition to be held at a European institution, at Passerelle Centre d’Art Contemporain. A graduate of CAFA in Beijing – China’s central Academy of Fine Arts – and of Parsons School of Design in New York, Han Bing has studied a very diverse range of references and influences, enabling her to develop multicultural sensibility and an enhanced vision of the world.
Han Bing's painting is intimately linked to the abundance of images available in the public space. The artist sometimes captures elements from posters mentally and sometimes photographs an advertisement with her phone. From all around her she picks out images which we no longer see because they are in front of us all the time. Back in her studio, she assembles her discoveries very freely over the canvas. Her approach echoes those of the new realists of the 1960s, among them Jacques Villeglé and Raymond Hains. Villeglé took ripped and loose posters from...More
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