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From the very beginning of his career, Daniel Gustav Cramer (1975, Germany) has divided his work between photography, video, sculpture and the writing of short texts, resulting in both exhibitions and the publication of books. Using landscape as a starting point (a turquoise sea, a pine forest, a mountain lake), the works of the German artist, born in 1975, take the form of micro-tales whose meaning gradually becomes clear through the succession of images.
The ‘Tales’ series, begun in 2000, is particularly representative of this approach, combining photographic sequences organised in diptychs, triptychs or larger groups of images. In each sequence, an ordinary landscape is photographed from a distance, generally featuring a discreet element somewhere in the scene. From one image to the next, this element moves or changes, thereby constituting the central thread of a story: a dog by the side of a road, watching the passers-by, a ray of sun glinting on snow-covered ground, a...More
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Press release
From the very beginning of his career, Daniel Gustav Cramer (1975, Germany) has divided his work between photography, video, sculpture and the writing of short texts, resulting in both exhibitions and the publication of books. Using landscape as a starting point (a turquoise sea, a pine forest, a mountain lake), the works of the German artist, born in 1975, take the form of micro-tales whose meaning gradually becomes clear through the succession of images.
The ‘Tales’ series, begun in 2000, is particularly representative of this approach, combining photographic sequences organised in diptychs, triptychs or larger groups of images. In each sequence, an ordinary landscape is photographed from a distance, generally featuring a discreet element somewhere in the scene. From one image to the next, this element moves or changes, thereby constituting the central thread of a story: a dog by the side of a road, watching the passers-by, a ray of sun glinting on snow-covered ground, a...More
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More exhibitions at Passerelle Centre d'art contemporain
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