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Emil Walde moves at the intersection of sculpture and installation, between materiality and meaning. The starting point of his work is the industrially manufactured object – metal hooks, wires, screws, or technical components – whose original function he questions and transfers into new aesthetic and spatial contexts.
At the core of Walde’s artistic practice lies a precise observation of material. His works are not mere arrangements of found objects but the result of a transformative process in which function, meaning, and corporeality are renegotiated. Space itself does not serve as a neutral backdrop but as an active resonating body in which the material unfolds its new identity.
Metal pipes, industrial components, or architectural fragments are not used merely as formal elements; they are interrogated and reformulated in their physical, historical, and aesthetic dimensions. Through appropriation, decontextualization, and condensation, Walde creates expan…
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Press Release
Emil Walde moves at the intersection of sculpture and installation, between materiality and meaning. The starting point of his work is the industrially manufactured object – metal hooks, wires, screws, or technical components – whose original function he questions and transfers into new aesthetic and spatial contexts.
At the core of Walde’s artistic practice lies a precise observation of material. His works are not mere arrangements of found objects but the result of a transformative process in which function, meaning, and corporeality are renegotiated. Space itself does not serve as a neutral backdrop but as an active resonating body in which the material unfolds its new identity.
Metal pipes, industrial components, or architectural fragments are not used merely as formal elements; they are interrogated and reformulated in their physical, historical, and aesthetic dimensions. Through appropriation, decontextualization, and condensation, Walde creates expan…
