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P·P·O·W is pleased to present Split, Jessica Stoller’s third solo exhibition with the gallery. Known for her meticulous and highly detailed porcelain sculptures, Stoller mines the rich and complicated history of the medium to reveal its capacity for subversion, defiance, and play. Featuring a new series of freestanding sculptures, wall works, and a large-scale ceramic still-life, this exhibition synthesizes historical, cultural, and personal narratives that grapple with the belief that “in a patriarchy your body is technically not your own until you pass the reproductive age.”[i]
Sparked by America’s ongoing repression of bodily autonomy, Stoller created Seeing Red, 2024, an evocative tableau composed of over 150 individual ceramic components positioned low to the ground. Deliberately debased, yet impossible to ignore, this installation draws inspiration from 18th and 19th century “anatomical Venuses,” pseu…
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Press Release
P·P·O·W is pleased to present Split, Jessica Stoller’s third solo exhibition with the gallery. Known for her meticulous and highly detailed porcelain sculptures, Stoller mines the rich and complicated history of the medium to reveal its capacity for subversion, defiance, and play. Featuring a new series of freestanding sculptures, wall works, and a large-scale ceramic still-life, this exhibition synthesizes historical, cultural, and personal narratives that grapple with the belief that “in a patriarchy your body is technically not your own until you pass the reproductive age.”[i]
Sparked by America’s ongoing repression of bodily autonomy, Stoller created Seeing Red, 2024, an evocative tableau composed of over 150 individual ceramic components positioned low to the ground. Deliberately debased, yet impossible to ignore, this installation draws inspiration from 18th and 19th century “anatomical Venuses,” pseu…
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