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For Erris Huigens, a work begins not as an image but as an action. A gesture that extends into space and quietly reorganises how we experience it.
Coming from derelict industrial buildings as his usual “canvas”, Huigens works with surfaces marked by time: walls that carry the slow accumulation of weather, use and neglect. The geometric forms he introduces do not correct; they activate. A single line, a cut, a minimal gesture can make the space reorganise itself around it: an eroded wall becomes a textured background, a surface that starts to read as image.
Here, the conditions are different. This is not an abandoned building nor a white cube gallery. It moves between those two worlds: a gallery that has held on to its layers and its irregularities, the quiet traces of previous histories. In this in-between state, Huigens shifts the focus: the aim is no longer to transform the space, but to bring attention to the act of making itself, to that early, physical negotiation in which the…
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Press Release
For Erris Huigens, a work begins not as an image but as an action. A gesture that extends into space and quietly reorganises how we experience it.
Coming from derelict industrial buildings as his usual “canvas”, Huigens works with surfaces marked by time: walls that carry the slow accumulation of weather, use and neglect. The geometric forms he introduces do not correct; they activate. A single line, a cut, a minimal gesture can make the space reorganise itself around it: an eroded wall becomes a textured background, a surface that starts to read as image.
Here, the conditions are different. This is not an abandoned building nor a white cube gallery. It moves between those two worlds: a gallery that has held on to its layers and its irregularities, the quiet traces of previous histories. In this in-between state, Huigens shifts the focus: the aim is no longer to transform the space, but to bring attention to the act of making itself, to that early, physical negotiation in which the…



























































