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ektor garcia’s nu.dos - a play on the Spanish word nudos, meaning knots, phonetically separated into two words, nu and dos, meaning two new, or new two - expands the lexicon of his visual language by introducing previously unexplored materials such as paper raffia, hemp and house paint, and re-imagining past works. The result is an intricately layered investigation of time and place, and the manifestation that art is dynamic, continually evolving, adjusting and reflecting meaning and emotion, akin to humanity.
Expansion reveals itself in scale as well as signification, as garcia debuts his largest single crocheted copper work, crochet copper mandala. At just over 9 feet tall and nearing 6 feet wide, garcia engaged his whole body to create the signature round doily structure. The marquee piece dwarfs the viewer, a reversal of roles, the opposite of the traditional experience of a household tabletop item, magnified, physical and...More
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Press Release
ektor garcia’s nu.dos - a play on the Spanish word nudos, meaning knots, phonetically separated into two words, nu and dos, meaning two new, or new two - expands the lexicon of his visual language by introducing previously unexplored materials such as paper raffia, hemp and house paint, and re-imagining past works. The result is an intricately layered investigation of time and place, and the manifestation that art is dynamic, continually evolving, adjusting and reflecting meaning and emotion, akin to humanity.
Expansion reveals itself in scale as well as signification, as garcia debuts his largest single crocheted copper work, crochet copper mandala. At just over 9 feet tall and nearing 6 feet wide, garcia engaged his whole body to create the signature round doily structure. The marquee piece dwarfs the viewer, a reversal of roles, the opposite of the traditional experience of a household tabletop item, magnified, physical and...More
