The Last Terminal: Reflections on the Coming Apocalypse - Volume III, Part 1: Beating Death With His Own Arm
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Press Release
We are excited to welcome you to Beating Death With His Own Arm*, the inauguration of Volume III of our exhibition series The Last Terminal: Reflections on the Coming Apocalypse.
The exhibition consists of two parallel presentations by gerlach en koop, Tomo Savić-Gecan, and Lisa Ivory and will be opened with a site-specific performance by Janneke van der Putten, who in exploring the limits of her unmediated voice will engage with the acoustics of the exhibition space.
Part of Volume III consists of exploring several recent and stylistically diverse painting practices. A selected collection of works by a single painter is broken down into distinct chapters and shown as a developing story over the course of one to two years, in conjunction with other exhibited works and characters some of which are introduced at a later stage to the story of The Last Terminal. We are keen on experiencing how these paintings and their future...More
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The Last Terminal: Reflections on the Coming Apocalypse - Volume III, Part 1: Beating Death With His Own Arm
Press Release
We are excited to welcome you to Beating Death With His Own Arm*, the inauguration of Volume III of our exhibition series The Last Terminal: Reflections on the Coming Apocalypse.
The exhibition consists of two parallel presentations by gerlach en koop, Tomo Savić-Gecan, and Lisa Ivory and will be opened with a site-specific performance by Janneke van der Putten, who in exploring the limits of her unmediated voice will engage with the acoustics of the exhibition space.
Part of Volume III consists of exploring several recent and stylistically diverse painting practices. A selected collection of works by a single painter is broken down into distinct chapters and shown as a developing story over the course of one to two years, in conjunction with other exhibited works and characters some of which are introduced at a later stage to the story of The Last Terminal. We are keen on experiencing how these paintings and their future...More
