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The two-person exhibition “Recombining Realities” unites the works of Charlie Stein and Jorinde Voigt for the first time. Although their works appear radically divergent—Stein’s are figurative paintings and Voigt’s are abstract sculptures—they converge on a common point: their methodical approach to their practices. Charlie Stein states, “Pluralistic realities are brought into dialogue with each other in such a way that something new, responsive, and resilient emerges.” This unexpected union reveals where Stein’s figuration blends into moments of abstraction and Voigt’s abstract sculptures take on figurative qualities through a visual language.
These moments of transition challenge strict phenomenological and binary boundaries, relating to what theorist Legacy Russell has termed the “glitch,” where “the body conceived as a machinic assemblage becomes multiple, gooey, blurry, full of seams, or simply glitched. It is a body that both absorbs and refracts, becoming everybody and…
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Press Release
The two-person exhibition “Recombining Realities” unites the works of Charlie Stein and Jorinde Voigt for the first time. Although their works appear radically divergent—Stein’s are figurative paintings and Voigt’s are abstract sculptures—they converge on a common point: their methodical approach to their practices. Charlie Stein states, “Pluralistic realities are brought into dialogue with each other in such a way that something new, responsive, and resilient emerges.” This unexpected union reveals where Stein’s figuration blends into moments of abstraction and Voigt’s abstract sculptures take on figurative qualities through a visual language.
These moments of transition challenge strict phenomenological and binary boundaries, relating to what theorist Legacy Russell has termed the “glitch,” where “the body conceived as a machinic assemblage becomes multiple, gooey, blurry, full of seams, or simply glitched. It is a body that both absorbs and refracts, becoming everybody and…
More