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Born in 1994 in Lanzhou, China, Wei Libo belongs to a generation shaped by the rapid urbanization and economic upheavals of the 1990s. Having grown up in a rural environment before pursuing his studies at the École nationale supérieure des Beaux-Arts de Paris, his work explores the tensions between modernity and tradition, disappearance and transmission. Through artisanal techniques such as ceramics, marquetry, and brasswork, he interrogates our relationship with objects, the notion of home, and memory, anchoring his practice in a materiality that preserves the imprint of gesture.
Having previously explored massive forms and the weight of absence in his exhibition at FRAC Île-de-France, he now chooses a different trajectory: Homemade no longer speaks of the lost home, but rather of the act of making, the pleasure of craftsmanship, and the material that bends under the hand yet rises in fragile equilibrium.
Everything begins with a gaze. A monumental wooden eye, leaning against a red…
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Born in 1994 in Lanzhou, China, Wei Libo belongs to a generation shaped by the rapid urbanization and economic upheavals of the 1990s. Having grown up in a rural environment before pursuing his studies at the École nationale supérieure des Beaux-Arts de Paris, his work explores the tensions between modernity and tradition, disappearance and transmission. Through artisanal techniques such as ceramics, marquetry, and brasswork, he interrogates our relationship with objects, the notion of home, and memory, anchoring his practice in a materiality that preserves the imprint of gesture.
Having previously explored massive forms and the weight of absence in his exhibition at FRAC Île-de-France, he now chooses a different trajectory: Homemade no longer speaks of the lost home, but rather of the act of making, the pleasure of craftsmanship, and the material that bends under the hand yet rises in fragile equilibrium.
Everything begins with a gaze. A monumental wooden eye, leaning against a red…
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