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Woke up yesterday morning and took a selfie. Wanted to figure out whether the human species still needs mirrors now that we stare, scrutinize, and dissect ourselves through a camera and then a screen.
I saw myself, saw us, and in a second the whole world lost its mystery — tape over the front camera, and an immediate order for four mirrors. I’ll decide later where to hang them.
I called Maxime Bousquet, who’s curating the next group show at Sans titre, Le secret des secrets, on the theme of mirrors. I thought he surely must have felt the same unease I did at the idea of a world without reflection, without the ductile volume of a piece of glass staring back at us.
We talked for about an hour, and he offered to send me the PDF of the works he selected. Careful scrolling.
Maxime’s reference — a wicker mirror by Lina Zervudaki — gave me a first clue. The object is a fragmentation of the medium, a multiplication. Stand still in front of it; it’s a…
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Press Release
Woke up yesterday morning and took a selfie. Wanted to figure out whether the human species still needs mirrors now that we stare, scrutinize, and dissect ourselves through a camera and then a screen.
I saw myself, saw us, and in a second the whole world lost its mystery — tape over the front camera, and an immediate order for four mirrors. I’ll decide later where to hang them.
I called Maxime Bousquet, who’s curating the next group show at Sans titre, Le secret des secrets, on the theme of mirrors. I thought he surely must have felt the same unease I did at the idea of a world without reflection, without the ductile volume of a piece of glass staring back at us.
We talked for about an hour, and he offered to send me the PDF of the works he selected. Careful scrolling.
Maxime’s reference — a wicker mirror by Lina Zervudaki — gave me a first clue. The object is a fragmentation of the medium, a multiplication. Stand still in front of it; it’s a…
