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The first solo exhibition in France by Anjesa Dellova (b. Kosovo, 1994) is entitled Passages. A sober word, it evokes as much the traversing of a place as it does a state of metamorphosis. In Sans titre gallery, the artist presents eighteen monochrome paintings in variations of vibrant orange, arranged on the ground, one following another, echoing the elongated architecture of the site. This arrangement extends the idea of a corridor or path that the visitor is invited to take, almost in procession, between figures that seem to float in suspense in
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The first solo exhibition in France by Anjesa Dellova (b. Kosovo, 1994) is entitled Passages. A sober word, it evokes as much the traversing of a place as it does a state of metamorphosis. In Sans titre gallery, the artist presents eighteen monochrome paintings in variations of vibrant orange, arranged on the ground, one following another, echoing the elongated architecture of the site. This arrangement extends the idea of a corridor or path that the visitor is invited to take, almost in procession, between figures that seem to float in suspense in
