Fiamma Rossa
Fiamma Rossa
Fiamma Rossa
Fiamma Rossa
Fiamma Rossa
Fiamma Rossa
Fiamma Rossa
Artist
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b. 1980, Uruguay
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Press Release

Jill Mulleady’s work is haunted by ghosts. Present ghosts, past ghosts, ghosts of ruins and ghosts of people and ghosts of creatures; and also the ghosts of ideas, the ghosts of images. The ghost is both an expression of an idea, a personality, a feeling, and a monster that appears in familiar context, bringing as Hamlet might put it, “airs from heaven or blasts from hell.” The ghosts force us to make a choice that we might not otherwise want to make. Such a haunting is personal, present, examined as an outgrowth of the self in Fiamma Rossa, at Sant’Andrea de Scaphis.

Mulleady’s ghosts occasionally explicitly reference the past. In Nymph (2024), a figure examines a flower seemingly for the first time, understanding it in detail. Mulleady uses the work to explore the tension between the numinal and lived reality: the image is from Böcklin, recalling Mulleady’s Swiss roots, but in the flowing of silk and sunlight, fixed in an instant of examination, it transforms into more than just…

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Exhibition Space
Via dei Vascellari, 69, 00153 Roma RM, Italy
View all exhibitions in... Rome, IT
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Created by liquid on Dec 04, 2024 at 22:10
Edited by tinywindows on Jan 03, 2025 at 13:56
Edits: 6
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Fiamma Rossa
Image gallery (7)
Photo: Daniele Molajoli / Courtesy: Sant'Andrea de Scaphis
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Press Release

Jill Mulleady’s work is haunted by ghosts. Present ghosts, past ghosts, ghosts of ruins and ghosts of people and ghosts of creatures; and also the ghosts of ideas, the ghosts of images. The ghost is both an expression of an idea, a personality, a feeling, and a monster that appears in familiar context, bringing as Hamlet might put it, “airs from heaven or blasts from hell.” The ghosts force us to make a choice that we might not otherwise want to make. Such a haunting is personal, present, examined as an outgrowth of the self in Fiamma Rossa, at Sant’Andrea de Scaphis.

Mulleady’s ghosts occasionally explicitly reference the past. In Nymph (2024), a figure examines a flower seemingly for the first time, understanding it in detail. Mulleady uses the work to explore the tension between the numinal and lived reality: the image is from Böcklin, recalling Mulleady’s Swiss roots, but in the flowing of silk and sunlight, fixed in an instant of examination, it transforms into more than just…

More expand_more
Exhibition Space
Via dei Vascellari, 69, 00153 Roma RM, Italy
View all exhibitions in... Rome, IT
Represent Sant'Andrea de Scaphis? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
Artist
View person
b. 1980, Uruguay
More Exhibitions at Sant'Andrea de Scaphis
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Nov 15, 2025 — Feb 21, 2026
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Sep 10, 2025 — Oct 25, 2025
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Apr 17, 2025 — Jul 28, 2025
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Mar 28, 2025 — Jul 28, 2025
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Through Mar 14, 2026
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Guestbook
All comments: 0
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Metadata
verified Complete entry
Created by liquid on Dec 04, 2024 at 22:10
Edited by tinywindows on Jan 03, 2025 at 13:56
Edits: 6
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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