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Schiefe Zähne is pleased to present A Poison Tree, the second exhibition by Nikolas Gambaroff (b. 1979) at the gallery. Known for a practice that persistently interrogates the structures of authorship, language, and the unstable cultural role of painting, Gambaroff shows a new body of work that deepens his ongoing engagement with the limits and ruptures of visual meaning.
In these new paintings, Gambaroff pushes his investigation of the painted surface as both an image and an object – an interface where cultural scripts, personal gestures, and material contingencies collide. Working through the slippage between intention and accident, legibility and obstruction, he stages painting as a site where competing systems – linguistic, economic, technological – struggle for coherence. Painting becomes a field in which thinking takes form, detours, and doubles back on itself.
The paintings behave less like…
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Press Release
Schiefe Zähne is pleased to present A Poison Tree, the second exhibition by Nikolas Gambaroff (b. 1979) at the gallery. Known for a practice that persistently interrogates the structures of authorship, language, and the unstable cultural role of painting, Gambaroff shows a new body of work that deepens his ongoing engagement with the limits and ruptures of visual meaning.
In these new paintings, Gambaroff pushes his investigation of the painted surface as both an image and an object – an interface where cultural scripts, personal gestures, and material contingencies collide. Working through the slippage between intention and accident, legibility and obstruction, he stages painting as a site where competing systems – linguistic, economic, technological – struggle for coherence. Painting becomes a field in which thinking takes form, detours, and doubles back on itself.
The paintings behave less like…
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