TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
TERMINAL CLASSIC
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Press Release

Sebastian Gladstone is proud to present timo fahler’s TERMINAL CLASSIC at our New York gallery. This exhibition gathers a new body of work made between Los Angeles and Amsterdam, during a time of personal upheaval and collective uncertainty. Fahler transforms found objects into images of history and myth, using everyday material to reveal the weight of ancestry, memory, and personal struggle.

The exhibition begins with a discarded mattress bedspring found in Los Angeles in 2024. fahler came across it while running, an integral part of his studio practice. For months it leaned on a studio wall until one day it revealed itself as a flag. The thirteen rows of springs became rows of red and white stripes. That act of recognition became the first gesture in this body of work, built from what was discarded and found around Los Angeles. flag was the last piece fahler made in the U.S., a quiet artifact that marks the end of an era for him.

From there, the materials began to guide him toward…

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291 Grand St 4th Floor, New York, NY 10002, USA
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Created by nannou on Nov 25, 2025 at 03:46
Edited by bus on Nov 25, 2025 at 04:22
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TERMINAL CLASSIC
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Press Release

Sebastian Gladstone is proud to present timo fahler’s TERMINAL CLASSIC at our New York gallery. This exhibition gathers a new body of work made between Los Angeles and Amsterdam, during a time of personal upheaval and collective uncertainty. Fahler transforms found objects into images of history and myth, using everyday material to reveal the weight of ancestry, memory, and personal struggle.

The exhibition begins with a discarded mattress bedspring found in Los Angeles in 2024. fahler came across it while running, an integral part of his studio practice. For months it leaned on a studio wall until one day it revealed itself as a flag. The thirteen rows of springs became rows of red and white stripes. That act of recognition became the first gesture in this body of work, built from what was discarded and found around Los Angeles. flag was the last piece fahler made in the U.S., a quiet artifact that marks the end of an era for him.

From there, the materials began to guide him toward…

More expand_more
Exhibition Space
View exhibitionspace
291 Grand St 4th Floor, New York, NY 10002, USA
View all exhibitions in... New York, NY, US
Represent Sebastian Gladstone? Claim your institution page, lock edits to your exhibitions, and track audience engagement across your full program.
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Guestbook
All comments: 0
Nobody has signed the guestbook yet. Want to be the first to leave a comment?
Metadata
verified Complete entry
Created by nannou on Nov 25, 2025 at 03:46
Edited by bus on Nov 25, 2025 at 04:22
Edits: 4
Views:
Claims
Did your venue host this exhibition? , and you'll gain exclusive control of this page.
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