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‘Choir Piece’ understands itself as a sculpture performed by sixteen singers from the Ghent Singers choir on 3 October 2019 and sets an immaterial score under the collection exhibition.
From his sculptural practice, Felix Kindermann* examines the spatial dimension of time, movement and sound. His most recent work, 'Choir Piece’ was shown when the exhibition ‘Highlights for a Future, The Collection (1)’ was already partially dismantled. This transitional phase also concerns the museum, which seems to be weighing up the accumulative processes that underpin its collection against a performance, which is time-bound and impossible to preserve. In this case however, it still exists as “soziales Ding im Raum” [social thing in space].
‘Composition for Separated Musicians’, which was commissioned from the American composer Natalie Dietterich, provides each performer with a score containing minimal notation, free syntax and a number of performance instructions. The final fo…
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Press Release
‘Choir Piece’ understands itself as a sculpture performed by sixteen singers from the Ghent Singers choir on 3 October 2019 and sets an immaterial score under the collection exhibition.
From his sculptural practice, Felix Kindermann* examines the spatial dimension of time, movement and sound. His most recent work, 'Choir Piece’ was shown when the exhibition ‘Highlights for a Future, The Collection (1)’ was already partially dismantled. This transitional phase also concerns the museum, which seems to be weighing up the accumulative processes that underpin its collection against a performance, which is time-bound and impossible to preserve. In this case however, it still exists as “soziales Ding im Raum” [social thing in space].
‘Composition for Separated Musicians’, which was commissioned from the American composer Natalie Dietterich, provides each performer with a score containing minimal notation, free syntax and a number of performance instructions. The final fo…
More