New Builds / Bilds 2: did you mean peace?
South Parade•May 01, 2025 — Jun 14, 2025
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South Parade is pleased to present Judith Dean’s second solo exhibition at the gallery.
Through expanding-containing perspectives and spaces within spaces - sometimes empty, un-roofed and leaky, or dripping beyond borders - Judith Dean disrupts the cartographic project, of mapping time, history, and distance, with a sense of dis-placement. New-placement. Re-placement. Sensed via stretched frames of imagery, at times one frame isolated, others in potential dialogue with neighbouring ones. Disorientation, through the sheer vastness of subject matter - jerking across hemispheres and cycles - and the lack of total control in the artist’s making, with a use of non-writing hand, freed through Chinese brushes offering bleeding swathes of colour. Colour as molecular notation, as feeling, as a reckoning between artist, surface and scene. Disorientation, but stabilised through paintings, their persistence of presence, however nomadic-temporary. Fluidity in the functions of these...More
New Builds / Bilds 2: did you mean peace?
South Parade•May 01, 2025 — Jun 14, 2025
Press Release
South Parade is pleased to present Judith Dean’s second solo exhibition at the gallery.
Through expanding-containing perspectives and spaces within spaces - sometimes empty, un-roofed and leaky, or dripping beyond borders - Judith Dean disrupts the cartographic project, of mapping time, history, and distance, with a sense of dis-placement. New-placement. Re-placement. Sensed via stretched frames of imagery, at times one frame isolated, others in potential dialogue with neighbouring ones. Disorientation, through the sheer vastness of subject matter - jerking across hemispheres and cycles - and the lack of total control in the artist’s making, with a use of non-writing hand, freed through Chinese brushes offering bleeding swathes of colour. Colour as molecular notation, as feeling, as a reckoning between artist, surface and scene. Disorientation, but stabilised through paintings, their persistence of presence, however nomadic-temporary. Fluidity in the functions of these...More
