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The fusion between contemporary artistic practices and shamanism in the exhibition “AL LUPO, AL LUPO” represents an interesting example of how cultural tradition, the study of nature and ancestral spirituality can meet contemporary artistic language to create new forms of expression. Artists such as the well-known Joseph Beuys, supported by the performative acts of the Fluxus group and followed, between the 1960s and 1970s, by the Italian Arte Povera artists, have been interested in shamanic practices or have drawn from them to investigate the hidden depths in the imagination of the surrounding reality.
The wolf, a key figure and guide within the initiatory path, an evocative symbol of the wild and mystery, merges with the practices of the seven artists present in the exhibition to accompany us on a stratified path that seeks to probe the depths of the unconscious and the irrational by posing reflective ideas inherent to nature, ecology, the body and phenomenology.
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Press Release
The fusion between contemporary artistic practices and shamanism in the exhibition “AL LUPO, AL LUPO” represents an interesting example of how cultural tradition, the study of nature and ancestral spirituality can meet contemporary artistic language to create new forms of expression. Artists such as the well-known Joseph Beuys, supported by the performative acts of the Fluxus group and followed, between the 1960s and 1970s, by the Italian Arte Povera artists, have been interested in shamanic practices or have drawn from them to investigate the hidden depths in the imagination of the surrounding reality.
The wolf, a key figure and guide within the initiatory path, an evocative symbol of the wild and mystery, merges with the practices of the seven artists present in the exhibition to accompany us on a stratified path that seeks to probe the depths of the unconscious and the irrational by posing reflective ideas inherent to nature, ecology, the body and phenomenology.
The...More
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