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Rosemarie Trockel’s two-part exhibition—opening concurrently at Sprüth Magers and Gladstone in New York—features new and historic artworks that explore motifs and themes spanning the artist’s multilayered oeuvre. The new works, created especially for The Kiss at Gladstone, are connected through a network of cross-references to both recent pieces and rarely shown historical works in Material at Sprüth Magers.
Trockel blends conceptual challenges and material properties, notions of femininity and masculinity, everyday objects and art history. Both galleries’ presentations navigate between theoretical concepts and physical experiences, with the artist’s works confronting prevailing ideas, often revisiting and reevaluating her own work in the process. The galleries’ walls have been painted to match the color of each space’s floors, setting cohesive backdrops for the artworks.
Material at Sprüth Magers showcases a selection of tension-filled piece…
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Press Release
Rosemarie Trockel’s two-part exhibition—opening concurrently at Sprüth Magers and Gladstone in New York—features new and historic artworks that explore motifs and themes spanning the artist’s multilayered oeuvre. The new works, created especially for The Kiss at Gladstone, are connected through a network of cross-references to both recent pieces and rarely shown historical works in Material at Sprüth Magers.
Trockel blends conceptual challenges and material properties, notions of femininity and masculinity, everyday objects and art history. Both galleries’ presentations navigate between theoretical concepts and physical experiences, with the artist’s works confronting prevailing ideas, often revisiting and reevaluating her own work in the process. The galleries’ walls have been painted to match the color of each space’s floors, setting cohesive backdrops for the artworks.
Material at Sprüth Magers showcases a selection of tension-filled piece…
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