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Studiolo bureau is pleased to host HIDE & SICK (Ceci Tuera Cela part II), the first Italian solo exhibition by artist Eliott Paquet (Paris, 1990), curated by Studiolo and accompanied by a text by Gabriella Gasparini.
The exhibition is the second chapter of a project shown in autumn 2024 in the spaces of the atelier Poush in Paris and entitled “Ceci Tuera Cela” (This Will Kill That) — an expression taken from Victor Hugo’s novel Notre-Dame de Paris and pronounced by the archdeacon Claude Frollo as, with his hand resting on a book, he observes the cathedral of the same name. A prophetic act meant to imply that the invention of printing would gradually supplant the symbolic function of monumental architecture; the hundreds of iconographies contained in religious artifacts gave way to a more scientific medium, easily reproducible, that directly entered everyone’s home. In this brief passage Hugo reminds us how every progress is inevitably a…
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Press Release
Studiolo bureau is pleased to host HIDE & SICK (Ceci Tuera Cela part II), the first Italian solo exhibition by artist Eliott Paquet (Paris, 1990), curated by Studiolo and accompanied by a text by Gabriella Gasparini.
The exhibition is the second chapter of a project shown in autumn 2024 in the spaces of the atelier Poush in Paris and entitled “Ceci Tuera Cela” (This Will Kill That) — an expression taken from Victor Hugo’s novel Notre-Dame de Paris and pronounced by the archdeacon Claude Frollo as, with his hand resting on a book, he observes the cathedral of the same name. A prophetic act meant to imply that the invention of printing would gradually supplant the symbolic function of monumental architecture; the hundreds of iconographies contained in religious artifacts gave way to a more scientific medium, easily reproducible, that directly entered everyone’s home. In this brief passage Hugo reminds us how every progress is inevitably a…
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