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The Hole is pleased to present Echo Chamber, a group show curated by Leslie Weissman and Charlotte Hailstone. The exhibition explores the cyclical nature of influence, blurring lines between homage, appropriation, and reinvention while questioning originality and celebrating the power of interpretation. Accompanying the show are audio recordings from each artist about their sources of inspiration.
Across thirty-one paintings and sculptures we see artists pulling from film, music, art history and performance filtered through the artist's personal lenses. In Adam Parker Smith “The Abduction of Proserpina” Bernini’s iconic Carrara marble sculpture is seemingly squashed down into a bronze cube. The ankle-height dogs in the original now are cheek-to-cheek with Pluto and Proserpina in an almost comedic crumpling of the iconic original. The take-down of Art History continues in Alexandra Ru…
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Press Release
The Hole is pleased to present Echo Chamber, a group show curated by Leslie Weissman and Charlotte Hailstone. The exhibition explores the cyclical nature of influence, blurring lines between homage, appropriation, and reinvention while questioning originality and celebrating the power of interpretation. Accompanying the show are audio recordings from each artist about their sources of inspiration.
Across thirty-one paintings and sculptures we see artists pulling from film, music, art history and performance filtered through the artist's personal lenses. In Adam Parker Smith “The Abduction of Proserpina” Bernini’s iconic Carrara marble sculpture is seemingly squashed down into a bronze cube. The ankle-height dogs in the original now are cheek-to-cheek with Pluto and Proserpina in an almost comedic crumpling of the iconic original. The take-down of Art History continues in Alexandra Ru…
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