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Across intersecting rooms, two bodies of work coalesce. Each body is centered on a speculative instrument: a tool or image-making device. Between them unfolds a shared vocabulary of anticipation, care, and latent potential.
In the gallery’s first room, a series of black-and-white analogue contact prints trace the durations of medical appointments attended over a period of 5 months. The camera used to make them was a backpack, retrofitted with a pinhole aperture placed between its two handles. When worn, the aperture would face the small of the back, adopting the carrier’s body as the camera’s shutter. At the start of each appointment, the bag was put down in any provision of space provided. Inadvertently, the pinhole was uncovered to light. With the end of each appointment the backpack was collected to leave. This homemade device, in turn, became a register for care through its capacity to draw pure dichotomies of light and shadow, movement and stillness, time spent or lost.…
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Across intersecting rooms, two bodies of work coalesce. Each body is centered on a speculative instrument: a tool or image-making device. Between them unfolds a shared vocabulary of anticipation, care, and latent potential.
In the gallery’s first room, a series of black-and-white analogue contact prints trace the durations of medical appointments attended over a period of 5 months. The camera used to make them was a backpack, retrofitted with a pinhole aperture placed between its two handles. When worn, the aperture would face the small of the back, adopting the carrier’s body as the camera’s shutter. At the start of each appointment, the bag was put down in any provision of space provided. Inadvertently, the pinhole was uncovered to light. With the end of each appointment the backpack was collected to leave. This homemade device, in turn, became a register for care through its capacity to draw pure dichotomies of light and shadow, movement and stillness, time spent or lost.…
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