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Realista, the first solo show of Giacomo Montanelli at Triangolo, consists of six works.
To introduce the exhibition, I would like to start with a very first consideration. Montanelli’s practice could be described as a search for the necessity of form as the voice of things: an obstinate exploration through frankness and disillusionment. In this sense, his painting is essential, even self-referential at times. The stillness of the geometries it balances, their compositional rigour, the innate rather than perspectival frontality of its images, as well as the fullness of the solid-coloured backgrounds, may lead one to discern in it a painting that offers itself transparently, without mediation. An instantaneous painting. Or again: an arithmetic language with a reluctance towards emotion. But to break this self-evidence, this totality to which his works seem to aspire, is to discover an unexpected norm at the heart of this...More
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Press Release
Realista, the first solo show of Giacomo Montanelli at Triangolo, consists of six works.
To introduce the exhibition, I would like to start with a very first consideration. Montanelli’s practice could be described as a search for the necessity of form as the voice of things: an obstinate exploration through frankness and disillusionment. In this sense, his painting is essential, even self-referential at times. The stillness of the geometries it balances, their compositional rigour, the innate rather than perspectival frontality of its images, as well as the fullness of the solid-coloured backgrounds, may lead one to discern in it a painting that offers itself transparently, without mediation. An instantaneous painting. Or again: an arithmetic language with a reluctance towards emotion. But to break this self-evidence, this totality to which his works seem to aspire, is to discover an unexpected norm at the heart of this...More