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“Non siamo qui per parlare della sostanza” I said with Nicole.
“Decorticare il lavoro di un artista è come descrivere il trucco del mago, una volgaritm che eviterò.”
I don’t believe I succeeded in this.
Certainly, the whole parade of citations, hashtags, and authors will come, which seem to be the only conceptual crutch for the indistinguishable multitude of research and practices today.
But I would like, for once, to approach it from a different perspective. Because Capitalist Realism is liked by all, but at a certain point, enough is enough.
Nicole Colombo is holding an exhibition at the gallery, the works are what they are, and the structure of the space is inhabited and adorned, at least in part, by the mantle of narrative.
At least in part, because the abysses that Nicole elegantly seeks to conceal under a seemingly clinical attitude exit through the door and re-enter through the manholes.
That underground is the starting...More
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Press Release
“Non siamo qui per parlare della sostanza” I said with Nicole.
“Decorticare il lavoro di un artista è come descrivere il trucco del mago, una volgaritm che eviterò.”
I don’t believe I succeeded in this.
Certainly, the whole parade of citations, hashtags, and authors will come, which seem to be the only conceptual crutch for the indistinguishable multitude of research and practices today.
But I would like, for once, to approach it from a different perspective. Because Capitalist Realism is liked by all, but at a certain point, enough is enough.
Nicole Colombo is holding an exhibition at the gallery, the works are what they are, and the structure of the space is inhabited and adorned, at least in part, by the mantle of narrative.
At least in part, because the abysses that Nicole elegantly seeks to conceal under a seemingly clinical attitude exit through the door and re-enter through the manholes.
That underground is the starting...More