Prosper, despite a sense of crisis
Tube Gallery•Nov 28, 2025 — Jan 31, 2026
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In prosper, despite a sense of crisis, Ahren Warner presents a new body of work which ranges across multiple disciplines, including film, wall-based sculpture and painting. Collectively, the work converges to explore the conflict between the alluring ideal of self-optimisation and the lived reality of our flawed selves.
While language emerges as a key component of the exhibition – from the rhythmic narration that provides the backbone to Warner’s film you want to come, and to leave richer to the fragments of the artist’s own poems embedded in his paintings – it is evident that the work’s material qualities (whether colour, surface, cadence or line) offer up a mode of thinking beyond what is possible in words.
The five paintings occupying the gallery’s entrance appear at first as abstractions of light and colour, with repetitive, layered, and erased marks bringing to mind the weathered surfaces of abandoned buildings. Yet, the works do not occupy a pur…
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Prosper, despite a sense of crisis
Tube Gallery•Nov 28, 2025 — Jan 31, 2026
Press Release
In prosper, despite a sense of crisis, Ahren Warner presents a new body of work which ranges across multiple disciplines, including film, wall-based sculpture and painting. Collectively, the work converges to explore the conflict between the alluring ideal of self-optimisation and the lived reality of our flawed selves.
While language emerges as a key component of the exhibition – from the rhythmic narration that provides the backbone to Warner’s film you want to come, and to leave richer to the fragments of the artist’s own poems embedded in his paintings – it is evident that the work’s material qualities (whether colour, surface, cadence or line) offer up a mode of thinking beyond what is possible in words.
The five paintings occupying the gallery’s entrance appear at first as abstractions of light and colour, with repetitive, layered, and erased marks bringing to mind the weathered surfaces of abandoned buildings. Yet, the works do not occupy a pur…
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