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Ulrik is pleased to present a two-person exhibition of the works of Hanna Hur (b. 1985) and Dorothea Rockburne (b. 1929). The exhibition is the first presentation of either artists’ work with the gallery.
The exhibition brings together the work of two artists working with the formal vocabulary of geometric abstraction. Each in her own way, the artists use the figure of the angel to articulate a relationship to the history of painting and a relationship to the image.
Dorothea Rockburne’s visual language is informed by her training, beginning in 1950, at the Black Mountain College in North Carolina, and then in New York, in the mix of 1960s minimalism. The works on view by Rockburne here comprise a selection of works from the series Small Musician Angels and Angel Study. These were executed over the course of five years, from 1979–84, at the same time as Rockburne undertook the creation of her la…
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Press Release
Ulrik is pleased to present a two-person exhibition of the works of Hanna Hur (b. 1985) and Dorothea Rockburne (b. 1929). The exhibition is the first presentation of either artists’ work with the gallery.
The exhibition brings together the work of two artists working with the formal vocabulary of geometric abstraction. Each in her own way, the artists use the figure of the angel to articulate a relationship to the history of painting and a relationship to the image.
Dorothea Rockburne’s visual language is informed by her training, beginning in 1950, at the Black Mountain College in North Carolina, and then in New York, in the mix of 1960s minimalism. The works on view by Rockburne here comprise a selection of works from the series Small Musician Angels and Angel Study. These were executed over the course of five years, from 1979–84, at the same time as Rockburne undertook the creation of her la…
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