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Retracing one’s steps through the corridors of memory, searching for particular moments or times, is rarely a simple task. More often, it proves impossible to do so by will alone; instead, we must wait for ‘madeleine moments,’ when the sensorial textures of daily life unearth what has long been concealed. It is within forgotten yet familiar scents, tastes, sounds, and places that such moments rise again.
These familiarities most readily gather around the notion of ‘home’ – that place which exists in memory as both Heimlich and Unheimlich.
This exhibition lingers on the layered and elusive idea of ‘home’ as a vessel for these moments. Drawing from dual heritage, personal narrative, and collective history, the works on display weave a poetic and hopeful tapestry of ‘homes’: native, adopted, and remembered.
In the works of Mohammed Adel (b. 1997), the eye slowly adjusts to a darkness that draws it inward. Like moving through a childhood house at night, guided...More
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Press Release
Retracing one’s steps through the corridors of memory, searching for particular moments or times, is rarely a simple task. More often, it proves impossible to do so by will alone; instead, we must wait for ‘madeleine moments,’ when the sensorial textures of daily life unearth what has long been concealed. It is within forgotten yet familiar scents, tastes, sounds, and places that such moments rise again.
These familiarities most readily gather around the notion of ‘home’ – that place which exists in memory as both Heimlich and Unheimlich.
This exhibition lingers on the layered and elusive idea of ‘home’ as a vessel for these moments. Drawing from dual heritage, personal narrative, and collective history, the works on display weave a poetic and hopeful tapestry of ‘homes’: native, adopted, and remembered.
In the works of Mohammed Adel (b. 1997), the eye slowly adjusts to a darkness that draws it inward. Like moving through a childhood house at night, guided...More























































