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In Castles in the Sky, Donatas Norušis continues his ongoing exploration of sculpture and sound. As its point of departure, the exhibition takes the idea of subtle, unfelt earthquakes, attuned to a tension that unsettles before rupture.
The central sonic element of the show and the title of the exhibition comes from his 2024 work of the same name. The piece interprets seismic sounds of the gallery through a virtual environment composed entirely of “risers,” the sound fragments that gradually build a sense of tension, typical of trance and electronic music. With silence as an unknown variable, the resulting environment behaves like a living organism, each work responding to the same internal pulse, or perhaps anticipating it, forming a field that expands throughout space.
Through gestures of friction, tracing, and stretching, Castles in the Sky creates an architecture of anticipation. Rather than staging a collapse, Norušis focuses on what precedes it, the moment that never quite…
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Press Release
In Castles in the Sky, Donatas Norušis continues his ongoing exploration of sculpture and sound. As its point of departure, the exhibition takes the idea of subtle, unfelt earthquakes, attuned to a tension that unsettles before rupture.
The central sonic element of the show and the title of the exhibition comes from his 2024 work of the same name. The piece interprets seismic sounds of the gallery through a virtual environment composed entirely of “risers,” the sound fragments that gradually build a sense of tension, typical of trance and electronic music. With silence as an unknown variable, the resulting environment behaves like a living organism, each work responding to the same internal pulse, or perhaps anticipating it, forming a field that expands throughout space.
Through gestures of friction, tracing, and stretching, Castles in the Sky creates an architecture of anticipation. Rather than staging a collapse, Norušis focuses on what precedes it, the moment that never quite…
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