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What is good is always being destroyed. There is no wall between inside and out, but rather a membrane: permeable, fluctuating, vulnerable. Sometimes the light, sometimes a glance, a condemnation, an invitation makes it through. There are thresholds at which we hesitate. Who is inside? Who decides who may enter? Spatial configurations enable encounters: doors that only open in one direction; corridors that lead to dead-ends; communal stairwells; central train stations. In these spaces—and in the everyday, recurring, habitual encounters that take place within them—relationships materialise.
The camera, too, moves through and produces space, turning towards, dividing, excluding, and focusing. Again, out of spatial conditions—now those of seeing and being seen, or remaining invisible—relations emerge. The camera doesn’t always wield power here. It can empower, evaluate, preserve or protect what it sees; but first and foremost, it exposes, bring…
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Press Release
What is good is always being destroyed. There is no wall between inside and out, but rather a membrane: permeable, fluctuating, vulnerable. Sometimes the light, sometimes a glance, a condemnation, an invitation makes it through. There are thresholds at which we hesitate. Who is inside? Who decides who may enter? Spatial configurations enable encounters: doors that only open in one direction; corridors that lead to dead-ends; communal stairwells; central train stations. In these spaces—and in the everyday, recurring, habitual encounters that take place within them—relationships materialise.
The camera, too, moves through and produces space, turning towards, dividing, excluding, and focusing. Again, out of spatial conditions—now those of seeing and being seen, or remaining invisible—relations emerge. The camera doesn’t always wield power here. It can empower, evaluate, preserve or protect what it sees; but first and foremost, it exposes, bring…
