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Hubert Marot presents at ZÉRUÌ gallery in London a series of photographs, two installations and a printed book, all relating to a state that I would describe as circumspect. His practice is illusionistic: photographs are paintings, installations sculptures; but is also prudent, wise, meticulous. It comes from observation, from the careful gaze he takes around him. His work is also marked by a form of mysterious triviality and a penchant for antiquity, the imperishable, a race that he knows is lost in advance.
For him everything depends on the event held in suspension, a few moments that he cuts off arbitrarily and chooses, even pampers, once the impulse vanished. He practices photography, painting, installation in often fragilely established forms. He is also an artist who is part of a tradition of sceptic humor with regard to his works as well as his contemporary environment which is as if put under a bell, under a dome of spleen and slight paranoia. First there are his livi…
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Hubert Marot presents at ZÉRUÌ gallery in London a series of photographs, two installations and a printed book, all relating to a state that I would describe as circumspect. His practice is illusionistic: photographs are paintings, installations sculptures; but is also prudent, wise, meticulous. It comes from observation, from the careful gaze he takes around him. His work is also marked by a form of mysterious triviality and a penchant for antiquity, the imperishable, a race that he knows is lost in advance.
For him everything depends on the event held in suspension, a few moments that he cuts off arbitrarily and chooses, even pampers, once the impulse vanished. He practices photography, painting, installation in often fragilely established forms. He is also an artist who is part of a tradition of sceptic humor with regard to his works as well as his contemporary environment which is as if put under a bell, under a dome of spleen and slight paranoia. First there are his livi…
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