Tian Jianxin is a Chinese sculptor based in Beijing whose work explores the interplay between classical sculptural traditions and the poetic potential of everyday objects. Influenced by both Eastern and Western canons—from Buddhist statuary and Chinese folk crafts to artists like Michelangelo and Rodin—his practice centers on transforming worn domestic vessels into carriers of human form and memory. By carving anonymous faces and figures into pots, kettles, and cutting boards, Tian constructs a mythology of the everyday, turning utilitarian objects into intimate reflections on absence, presence, and the passage of time. His work resists overt narrative, favoring instead open-ended encounters shaped by tactile engagement and subtle emotional resonance. Through this material and thematic approach, Tian offers a sculptural language that is both deeply personal and broadly human, positioning him as a distinctive voice in the global field of contemporary sculpture.
A very fulfilling state of creation, while seizing moments of sudden inspiration.
Tian Jianxin, Beetle 甲虫 (2023)
By entering nature.
After graduating with a master's degree, I realized that I wanted to become an independent-thinking creator.
My current tools of choice are hammers and aluminum utensils.
Very diverse music that also that suits my taste.
Please yourself; be self-critical.
Tian Jianxin, Bread and Butter 面食 (2022)
Logical thinking and language expression ability.
Spaces that can have a dialogue with my work's journey; spaces that are simple and not "forced."
Face.
Swimming trunks.
I like them, then suddenly dislike them.
Sealing myself off.
Beijing.
The System of Object (1968) by Jean Baudrillard
Jean Baudrillard:The System of Object.
"I have faith in you."
When I was young, I was a quiet and shy child. I loved drawing and spent a lot of time copying the patterns on the fabrics that I saw.
Treat yourself as an artist.
Teacher.
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