Biography
Tina Kohlmann questions the metaphysical, the hallucinatory, the organic and inorganic. Her work is found at the crossing of a road, the loud concert area, in haunting lab experiments and psychokinesis. She draws our attention to the mundane, the trite, the beautiful and the discarded. A diverse oeuvre of artifacts, allusions to ethnological or craft reference points are always part of the form through which their metaphysical world may be accessed.
Her works suggest functionality as ritual objects, yet they do not answer the question as to who might be using them, or which kind of ceremonies they are meant for. A diverse oeuvre of artifacts, allusions to ethnological or craft reference points are always part of the form through which their metaphysical world may be accessed. With a multi-layered and comic way of imbuing objects with life and stories, she interweaves and reinterprets discourses on the profane and sacred, spiritual and esoteric. As hybrids of contemporary and…
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Biography
Tina Kohlmann questions the metaphysical, the hallucinatory, the organic and inorganic. Her work is found at the crossing of a road, the loud concert area, in haunting lab experiments and psychokinesis. She draws our attention to the mundane, the trite, the beautiful and the discarded. A diverse oeuvre of artifacts, allusions to ethnological or craft reference points are always part of the form through which their metaphysical world may be accessed.
Her works suggest functionality as ritual objects, yet they do not answer the question as to who might be using them, or which kind of ceremonies they are meant for. A diverse oeuvre of artifacts, allusions to ethnological or craft reference points are always part of the form through which their metaphysical world may be accessed. With a multi-layered and comic way of imbuing objects with life and stories, she interweaves and reinterprets discourses on the profane and sacred, spiritual and esoteric. As hybrids of contemporary and…
Exhibitions
Guestbook
Metadata
Claims
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