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Things collide on the surface of canvases. Current events, personal fears, objects rooted in art history, and form-al jokes are mashed together in manifold marks. These split ends are smeared, smothered, blotted, scratched out, pushed around, and stuck on in different yet repetitive brushstrokes, creating a whole with lines that threaten to wander off at any moment.
But when do clusters of smears, a scratch mark, or a stray blot come together to signify a room, allude to a problem, or become a solid monad (if ever), thereby teetering between the outside and in?
The inside and out exist between layers of paint. At first glance, what you see is the topmost exterior, but there is surely an inside beneath. Follow the string, twice around the tree and underneath the bush. Time sways and collects in pockets shaped by congealed brush marks, suddenly to flow and glide on a jutting slab or beam.
Openings and folds open up hindsight, a foreground, a front, and a back. But...More
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Press Release
Things collide on the surface of canvases. Current events, personal fears, objects rooted in art history, and form-al jokes are mashed together in manifold marks. These split ends are smeared, smothered, blotted, scratched out, pushed around, and stuck on in different yet repetitive brushstrokes, creating a whole with lines that threaten to wander off at any moment.
But when do clusters of smears, a scratch mark, or a stray blot come together to signify a room, allude to a problem, or become a solid monad (if ever), thereby teetering between the outside and in?
The inside and out exist between layers of paint. At first glance, what you see is the topmost exterior, but there is surely an inside beneath. Follow the string, twice around the tree and underneath the bush. Time sways and collects in pockets shaped by congealed brush marks, suddenly to flow and glide on a jutting slab or beam.
Openings and folds open up hindsight, a foreground, a front, and a back. But...More