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In her work, Lilian Kreutzberger (1984) reflects on an irreversible reality of our current society: the advancing digitalization and the impact this has on our everyday lives. Her artistic practice and research revolve around the possibilities, shortcomings and perception of both our (urban) environment and the digital space. In her recent work, she speculates on a future world where we are completely surrounded by ‘screens’. The surface of objects, such as buildings and street furniture, will be covered with an ever-changing ‘electronic layer’, continuously providing us with images. Just as ingrain wallpaper (rauhfaser) was once used to disguise a bare wall, Kreutzberger allows form, image and function to merge together in the exhibition.
MESMERISING
Kreutzberger presents her handmade objects together with the latest technological developments. In her complex installations, she appeals to an aesthetic experience, but also u…
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Press Release
In her work, Lilian Kreutzberger (1984) reflects on an irreversible reality of our current society: the advancing digitalization and the impact this has on our everyday lives. Her artistic practice and research revolve around the possibilities, shortcomings and perception of both our (urban) environment and the digital space. In her recent work, she speculates on a future world where we are completely surrounded by ‘screens’. The surface of objects, such as buildings and street furniture, will be covered with an ever-changing ‘electronic layer’, continuously providing us with images. Just as ingrain wallpaper (rauhfaser) was once used to disguise a bare wall, Kreutzberger allows form, image and function to merge together in the exhibition.
MESMERISING
Kreutzberger presents her handmade objects together with the latest technological developments. In her complex installations, she appeals to an aesthetic experience, but also u…
