Don’t Cry Anymore, Gili
Arsmonitor•Sep 19, 2024 — Nov 07, 2024
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The exercise proposed in the exhibition Don’t Cry Anymore, Gili consists of confronting this body of new works without resorting to the precepts shaped by the guides of art interpretation, such as the historian, curator, and philosopher. As a viewer, you are invited to engage with a type of image without being forced to indulge in or overuse the intoxication of meanings imposed by the masters of argumentation. You are alone, outside any narrative framework, asking yourself who is watching whom. The “weeping of Gili” game has precisely this quality of a “mind game,” reminding us of the tragicomic condition of the limits of argument.
One of the art interpreter’s habits is to seek similarities, roots, and differences between the art and the artist’s biography, dictating correspondences between creation and the social and cultural circumstances of the time in which they operate. In this way, common and external arguments,...More
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Don’t Cry Anymore, Gili
Arsmonitor•Sep 19, 2024 — Nov 07, 2024
Press Release
The exercise proposed in the exhibition Don’t Cry Anymore, Gili consists of confronting this body of new works without resorting to the precepts shaped by the guides of art interpretation, such as the historian, curator, and philosopher. As a viewer, you are invited to engage with a type of image without being forced to indulge in or overuse the intoxication of meanings imposed by the masters of argumentation. You are alone, outside any narrative framework, asking yourself who is watching whom. The “weeping of Gili” game has precisely this quality of a “mind game,” reminding us of the tragicomic condition of the limits of argument.
One of the art interpreter’s habits is to seek similarities, roots, and differences between the art and the artist’s biography, dictating correspondences between creation and the social and cultural circumstances of the time in which they operate. In this way, common and external arguments,...More
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